Archive for the sex education Category

The Rope Guy

Posted in community, cool people, play, Rope Bondage, sex education on November 30, 2010 by Gray

There is  a particular role in almost every community known as “The Rope Guy”* Usually it’s the person you go to when you want to get tied up/suspended/decorated/figure out how to tie down the mattress to the van. It’s not a pejorative by any means. But like any label, it can sometimes be the end of a conversation, rather than the beginning of one.

That’s not just for the people of the community. More insidiously, it’s within the heads of the Rope Guys themselves.

This came to me as I was reading a book that my former metamour Steve Eley pushed at me, called “The Passionate Programmer.

A Remarkably Good Book

Not, as I’d hoped, a book about erotic mind control. Not even a book about technosexuals such as TruckerSpike, OohSpicy, or Nellodee. Nor am I about to give up the highly lucrative and secure life of a Ninja Sex Poodle for the flighty and hedonistic lifestyle of a programmer.

This is a book about “Creating a Remarkable Career in Software Development.” They could have stopped after the first four words. In fact, I’m only on page 34 and I have to stop and write about the sentence at the top of the page. Author Chad Fowler is talking about “Choosing Your Market” and developing your skillset accordingly, and he brings up the subject of specialization.

“Too many of us seem to believe that specializing in something simply means you don’t know about other things. I could, for example, call my mother a Windows specialist, because she has never used Linux or OS X. Or I could say that my relatives out in the countryside in Arkansas are country music specialists, because they’ve never heard anything else.”

A while back I was getting a little burned out on rope. Rope Rope Rope, everywhere I went, and it was the time I began broadening out my class list to go beyond rope tutorials. I was looking for something, some area of kink that would intrigue me and satisfy me in the way rope bondage does – sexually, artistically, geekily, emotionally, and more.

I thought maybe needles (nope). Singletail (nope). Wrestling (fun, but nope). Fireplay (nope). I developed a level of competency, and in some cases even skill, in each of these and more, but it was frustrating. You know what ended up becoming the thing I became passionate about?

Cigars. Motherfucking cigars. Classes from Whip Master Bob, Sarah Sloane, Jim & Jereth, Daddy Wendell, fascinated me. Explorations of cigar play with Rita Seagrave, Ava Amnesia, Mollena Williams and especially the service of Naiia all fulfilled and satisfied me on a level I would have never expected. I picked up cigars at all just for a prank, for a part of a mindfuck. But now there’s a whole world of cigars, cigar play, cigar history, cigar protocol waiting for me to explore, and it’s grand.

Sometimes you are the Rope Guy because you committed to memory every page of Bondage for Sex and have music from the Knotty Boys videos on your iPod and have the kanji for every tie you’ve done from Master K’s “Beauty of Kinbaku” tattooed on your arm. That’s fine; it’s an accomplishment, and a tribute to your passion and dedication. I’m guilty of it myself (except the tattoo part).

But if that’s the extent of your kink… it might be time to pick up a single tail. Or learn some fire play. It’s not that you have to like the new skill, or that you have to have more than a cursory idea of what’s involved. But having that cursory idea can’t help but broaden (and improve) your skillset in human interaction, and that’s (in my humble opinion) the single most important skill for anyone interested in kink.

On the other hand, if you know the Rope Guy(s) in your community, don’t assume they are a one trick pony.** Ask them what else they might want to do, or introduce them to what you enjoy. Above all, don’t assume that every conversation/interaction has to be about rope. Don’t assume that’s the only class they can teach.

People are more than the gear in their bag or the shape of their flesh. I would encourage you to explore that “more-ness”. I believe it can’t help but make the world of kink a far richer place.

“A human being should be able to change a diaper, plan an invasion, butcher a hog, conn a ship, design a building, write a sonnet, balance accounts, build a wall, set a bone, comfort the dying, take orders, give orders, cooperate, act alone, solve equations, analyze a new problem, pitch manure, program a computer, cook a tasty meal, fight efficiently, die gallantly. Specialization is for insects.”

-Robert A. Heinlein

* Note that “Guy” in this case is gender-neutral, as reflected in the use of pronouns throughout.
**Hell, they might actually BE a pony!

The Kinky Mormon Pause

Posted in play, Rope Bondage, sex education, writing on November 26, 2010 by Gray

There comes a part in every GrUE (or other Open Spaces event) which is totally mind-wracking for the facilitator. It’s the moment after they have explained to people that the agenda for the day will be created out of the participants’ passions. Every person there is invited to think about an issue, subject, discussion, or other form of interaction they care about deeply, and then take responsibility for making that a part of the Unconference.

It’s a great process for creating amazing experiences. I’ve done it nineteen times at GrUEs, and you’d think that it would be easy by now. But there’s always that one moment of fear, of uncertainty:

What if nobody puts up anything?

The temptation, of course, is to nudge, cajole, suggest, or otherwise try to influence things. You can’t do that. Quite literally, in the books and papers that describe the process, Harrison Owen suggests that the facilitator stick their hands in their pockets, or go get coffee, or do anything that will keep them from trying to push people. It can lead to some very pregnant pauses. People look at each other with expressions that say “Huh? Is this guy serious?” or “Well…that may be true, but I’m certainly not going to be the first one…

It’s nervewracking. But it’s an absolutely essential part of the system that creates the Open Space. The facilitator can only open the door, never actually push people through. So, I just wait. And every time, without fail, people get up, write something down, and things go on wonderfully. Of course, if there are GrUE veterans there, it’s sometimes the opposite: a stampede of people with a horde of great ideas they want to share. Even then, though, there is the Very Important Task I have of Getting the Fuck Out of the Way, and trusting both the process and the people.

I was talking about this experience with DoNotGoGently the other day and she used a phrase to describe it that I was not familiar with: “The Mormon Pause.” She’d heard of it in her work in academia, and it was the moment after you’ve asked the students a question and you simply wait for someone – anyone – to say something.

Now, I was raised in the Mormon church, and I’d never heard of that phrase. But I could see a couple of places where it might have come from. It might be the testimony meetings where the congregation waits for people to become inspired to stand up and declare their faith. It could also be a technique used by the Missionaries, some of the slickest and most well-trained psychological manipulators in the world.

In a classroom, though, it’s a bit of a power struggle between the students and the teacher. It’s that moment between knowledge being given and knowledge being earned. There’s an entire narrative that tends to go on in that pause, something like this:

“Oh, sure, a question. I’ll just sit this one out. Someone else will say something.”

“Huh. Looks like no one else is saying anything. Oh, well, the prof will have something to say sooner or later.”

“O…K…she’s just sitting there. She’s gotta say something soon, right?”

“Fuck. It’s too quiet. Why won’t someone say something? This isn’t what I paid my tuition for!”

“I CAN’T BELIEVE NO ONE IS ACTUALLY GOING TO BRING UP THAT POINT THAT I THOUGHT ABOUT THIS MORNING IN THE SHOWER. DO I HAVE TO FUCKING DO EVERYTHING MYSELF? JESUS CHRIST SOMEBODY HAS TO SAY SOMETHING OKFINEI’LLTALKALREADY!!!”

Good teachers have the patience to let that inner dialogue play itself out. Thing is, it’s an essential tool for good tops and doms, as well. In my “ShadowPlay” workshops I quote Cheri Huber, a zen master, who says something along the lines of “Do you have the patience to not disturb the water, to see what comes up?” D.T. Suzuki said it even more succinctly: “Don’t just do something. Sit there.

A Mormon Pause in a Sex & Submission shoot (btw, Kink.com has 2-for-1 subscriptions for the holidays!)

See, there will come a time in a scene, especially one that is longer, more involved with multiple actions and events and emotions – when you won’t know what to do next. It’s a moment of indecision, or at least appears to be. In reality, it’s a “space in between.” It’s a time for the the emotions and feelings on both sides to marinate, to simmer, to let the passage of time temper and fine-tune the whole process.

It’s ok to stand there and let that space grow. It gives the bottom’s mind time to go all sorts of evil places: “What’s she going to do next? Oh my god, I hope it’s (not) that thing that I (always/never) fantasized about, because that would be so (cruel/amazing).” Meanwhile, you’re just standing there, looking at them. It’s important to cultivate the right expression: speculative, evaluative, considering. Don’t finger your tools, or pace, or look away; that conveys indecisiveness.

I want to emphasize: it’s fine to be indecisive. Just don’t convey it. And with a little practice, you’ll learn to sit in that space yourself, to welcome it, because when you insert that kinky Mormon Pause the right next action will present itself. Janet Hardy once said in a very memorable Impact Play workshop “I look at a body, it’ll tell me where to hit it.” But first you have to take the time to look.

If you sit there and let that pause grow, something, some movement, expression, intake of breath, sound or shift of light will let you know: this is what should happen next. I promise you that if you do that, at some later point you’ll have them saying something like “I don’t know how you knew, but that was exactly the right thing to do…

At which point you nod sagely, and say “I just know…” and thank the Mormon’s for their contribution to your kink.

Don’t forget to check out the rare Shanghai Issue #1 Auction!

The Most Controversial Post EVER!!

Posted in community, cool people, play, Rope Bondage, sex education on November 21, 2010 by Gray

Note: this post has been edited from its original content. I made two errors, in saying that Mistress Matisse had said that the choking techniques required “years” of training, and second in incorrectly using the word “alarmist.” Both have been edited, and I apologize for the sloppy fact-checking.

Of all the various tropes and myriad ways of the English language, there’s one that I mistrust and dislike more than any other.

Hyperbole.

It’s probably a deep seated resentment going back to parental contradictions in my youth, the cross-currents of “You could do anything!” combined with “You’ll never amount to anything!” that played havoc with my developing character. There is no burden greater for a youth, I’m convinced, than to be told one has “great potential.” What do you do with that?

I later came to dislike it in that giant miasma of ideas and words and feelings that we label as “communication” in relationships. It took years, but I began to notice a pattern, or at least an indicator: any time the conversation included the words “never” or “always”  then the exchange of information was effectively over. It was sort of a weird version of Godwin’s Law; there was no answer to that, because at that point it wasn’t true. “You never do this,” and “I always do that” are demonstrably unprovable because they include the future in them, and the future is unknowable.

Part of my dislike of hyperbole is that it is so clumsy. It’s lazy language, really, saying “I don’t have the time to actually examine this idea, to go into fine detail, so I’m going to just lump it all together into one big Club of Assumption and use it to bludgeon you into my way of thinking.”

It’s so easy to avoid, too. All you have to do is put some conditionals to it: “It seems to me that…” or maybe “A lot of the time...” or “There is a tendency to…” But those dilute the Power of the Hyperbolic Word; they require some reflection, some more discussion, and let’s face it, it’s more dramatic to speak in broad, sweeping strokes.

It’s also less effective. A former lover once used hyperbole in a deliberately hurtful way to zero in on one of my biggest insecurities. Even as I write this, years later, I can easily call up the sense memory of her laying naked underneath me, saying this one particular sentence that began with “You’ll never…” and proceeded to pierce my psyche in a way that would have made a Marine sniper proud.

Even when she admitted, years later, that she’d done it simply to drive me away – that the substance of what she said had not been as important as the effect – the substance still sticks, and still needs to be worked through. To use a metaphor, she trimmed my nails with a sledgehammer.

I also mock hyperbole. I’ve used what I call the “Fox News Strategy” to turn Madison, WI into the Bondage Capital of the World. That is, I’ve said that phrase over and over again online, in podcasts, and in person until even Google admits that it is true. And therefore it must be, right? Like many titles in the kink community, it is only given what power we choose to give it; a Master given that status by the submission of her slave, a Presenter given that title by his name in a program booklet.

A powerful enough metaphor creates its own truth,” wrote Matthew Stover in the novel I was reading this morning, and I have experienced that. It’s why I fear hyperbole as well. My ex-lover’s words echoing in my skull; how much has that internalized their message, even when they weren’t intended? How many children have been warped by their parents offhand “Why do you ALWAYS…” or “Why can’t you EVER…“? How many relationships have been damaged by the realization that submission and dominance do not also convey the gifts of infinite endurance and infallibility?

Which is why I shook my head as I read my friend Mistress Matisse’s recent column in the Stranger, where she talked about her impressions of Lee Harrington’s recent breath play class. I followed her argument clearly, because she’s a fantastically smart person and a great writer. But at one point she dismisses one of the most powerful arguments of breath play proponents using hyperbole. And at that point, I felt her argument became weakened, and it felt a shame, because it didn’t need to be.

“Eppur si muove…”

It’s one of my favorite phrases, mainly because it’s the embodiment of my life. I’ve been told I would never make it through the Marines, that my kids would be failures because they’re mixed-race, that I’d never go to college, that I’d never be a dancer, and many other things that I’ve then gone ahead and done. If Goethe’s not your style, insert Han Solo’s “Never tell me the odds!” quote. Or Twain’s “Lies, damn lies, and statistics,” if you’d rather. Whatever it is, one of the risks you run when you hinge your argument on hyperbole is that it is a very big and very fragile balloon which poppeth easily under the needle of fact.

In the breath play controversy, for example, there is the simple fact that choke holds have been used in martial arts for decades, perhaps centuries, with no documented or provable ill effects. There have been studies, there have been tests, and yet this continues to be taught.

People against breath play often point out that there is a vast difference between the average kinkster and “Master martial artists” who are competing at a high level and under close supervision with medical personnel immediately at hand. Which is, in fact, a true statement: there is a big difference between those things.

The problem is, it’s not relevant to the argument. It’s like saying “You shouldn’t ride your bicycle, because motorcycle accidents are very common.” If you compare the average kinkster with the average jujitsu class, you would see a much closer fit; more to the point, choke holds are far from a “Master” level of skill.

I have to guard myself now from going into territory that I am not qualified to speak on, so let me simply relate my own experience. In Marine boot camp, during your second phase of training, there is a short “close combat” course. During that course you are taught things like how to sneak up and knife someone so that they die instantly; how to bayonet and butt-stroke with your weapon; how to break someone’s neck with the infamous “one-second kill.”

They also took perhaps 45 minutes to teach us how to choke each other out using a blood choke. That is, two instructors running approximately 40 recruits through an assembly-line educational process. “Do this. Now do this. When you feel them slump, let go.” Then they had us do it to each other, some twice.

Now, I can’t speak for the USMC. It seems to me that if there was a high fatality rate – say, any tenth of a percent – of recruits who had problems with that, they would have stopped the practice. And maybe they have, though we jarheads are proud of our “over two centuries of tradition unimpeded by progress.”

But what I can say, unequivocally, is that there was no “master-level” training going on here. There was less than an hour of instruction and hands-on practice. It was simple body mechanics.

The other arguments for breath play are much more clearly stated by people much more qualified than me in various forums on FetLife and other places. I’ve read them, as thoroughly as I’ve read Jay Wiseman’s arguments against it. He’s very persuasive, until the other experts – and yes, they are experts, in law and in medicine – ask him direct questions.

At that point, in my opinion, rather than enter into discussion, things fall into hyperbole. Often ad hominem attacks, too, but that’s another thing. But there are claims of “never” and “always” and “high-level” this and “closely supervised” that. Every real-world example has factors other than breath play – chronic heart condition, the use of mind- and body-altering substances – that mitigate the reasoning that breath play was to blame.

More to the point, there has also been at least one documented case where a woman apparently bled to death through fisting; yet I do not see people clamoring to put a stop to this practice at events.

I wish people could have a calm, rational discussion, free of hyperbole, about this subject. But it doesn’t seem to be possible, or at least hasn’t happened yet. Maybe someday.

Meanwhile, this is not a post about breath play. This is a post about hyperbole. I’m against it. It is the most destructive force in the English language.

I’m 100% sure of it.

A Smorgasbord of Smut for Your Senses

Posted in art, cool people, music, NeatEvent, photography, Rope Bondage, sex education on November 10, 2010 by Gray

Not a lot of high-falutin’ philosophy this time around, but rather, a selection of music, video, and image to delight your kinky senses. Step right up, gentlemen make way for the ladies*, all for the cost of a click (or a donation, as you’ll see there on your right) you too can revel in the sexy sexy world of the web…

First off, my own humble offering at the In the Flesh Reading Series in NYC, where I read an excerpt from the story “Click” (which was part of the NYC Sex Blogger Calendar fundraising drive). Much thanks to Rachel Kramer Bussel for the opportunity:

In this next alcove, we have the much-awaited Flower & Snake 3, featuring the bondage stylings of the amazing Arisue Go:

Note: I’m tempted to note that this video seems fine on YouTube while a video of Ms. Behavin’ tying Foxy Veronica was banned for inappropriate content and violation of TOS. But that would distract from the smut, etc. we have to share!

What’s that you say? You’d rather just listen to things? I understand, friend, I understand quite well. Like you, I have become jaded in the dungeon sounds of music, over-engimaed and NINsaturated. And much as we’d like to, we can’t all have events like the upcoming S’GrUE (last day to register, btw) and have the dungeon music custom-mixed by masters of the art like DJ Pet.

Luckily, I recently was researching another article and came across some pretty damn awesome music for the dungeon. Even better, I can let you download a track FREE via IODA PromoNet. This is just one of many, many cool tracks I found on the Death Race soundtrack by Paul Haslinger:

Death Race SoundtrackPaul Haslinger
“Death Race Main Titles” (mp3)
from “Death Race Soundtrack”
(Back Lot Music)

Buy at iTunes Music Store
Buy at Amazon MP3
More On This Album

Lastly, I’d like to direct your attention to a couple of examples of “Doin’ It Right.” See, that’s one of the questions that I get asked during my teaching and presenting and traveling. “Look at this; am I doing it right?

I’ll tell you right now, when I’m asked that, I don’t look at the rope first. Or the tools, or anything except the expression on the bottom’s face. In this first example, in spite of the many torturous devices and sensory deprivation used, the Bottom (name withheld to protect their high-paying Republican Lobbyist job) is obviously enjoying…um…himheritself, so yes, my roommate is “doing it right” on the AIS Kink Labs frame:

Or, for another example, which you’ll see more of in tomorrow’s post, the expression on Naiia’s face as we do some Imperial Style Fear Play at Truly Bound II:

With that, I leave you to your day, may the sights, sites, sounds and (ow) sounds fill it with joyous sexy naughty knotty thoughts…

* Note: this obviously only applies
to those who identify
with those heteronormative stereotypes.
So lay off, Vesper!

Graydancer’s Guide for the Female Rigger

Posted in cool people, play, proporn, Rope Bondage, ropecast, sex education on November 8, 2010 by Gray

Recently there has been some interest in the concept of female riggers. I applaud this interest; I confess to taking some pride in encouraging and promoting several of them myself. The common question seems to be “What is different about the experience for women rigging than for men?” It is indeed a very good question, for the challenges a female rigger faces in the dungeon are vast and often completely incomprehensible to most male riggers.

In all humility, therefore, as a Citizen Journalist of the rope community, I present the Guide for the Female Rigger, in easy, step-by-step instructions. In the interest of balance, I am of course assuming a female rigger and a male bottom.

1. Approach the play space in your hottest dom finery, $400 corset, 5″ stilettoes and rope bag in hand.  You’re feeling good; you’re at the top of your game.

2. Inform security that no, you are not being a good little sub and carrying your Master’s bag. Emphasize this by handing your bag to your bottom, who seems embarassed but amused. He’ll pay for that.

3. Inform the door monitor of the dungeon space that no, you are not looking forward to finding out what your top’s toybag has in store for you. Emphasize this by taking the toybag from your bottom. Take some small pleasure in the fact that he’s starting to look worried.

4. Locate a suitable hard point, preferably right in the center of the play space, since it’s commonly known that to be a real rigger you must also be an attention whore. Send your bottom to get some water for “aftercare”, since the wuss probably will need it.

5. Step under the frame to begin to rig your ring.

6. Bend down to unstrap your stilettoes and removed the spikes from the foam mat so thoughtfully put there by the dungeon. Use electrical tape to patch over the holes; bonus points if the tape is the same color as all of the other patched-over holes.

7. As you resume your rigging, inform the helpful top at the St. Andrew’s Cross next to you that no, you are not going to let your Dom take care of “that kind of stuff.” Take some pleasure in the fact that he seems to be bowing his head in deference to you, even though he’s actually staring at your boobies.

8. As soon as  your bottom returns with the water, growl at him to get naked .

9. Ignore the rude comments the top on the other side of the frame is making, apparently appalled by the site of a penis in the dungeon. Note that he has a completely naked woman bent over spanking bench, a woman blessedly free from the constraints of pubic grooming standards. Try not to roll your eyes. Breathe deeply.

10. Remove corset. Breathe deeply for real.

11. Interrupt the Dungeon Monitor who is quizzing your bottom about the weight rating on your ring and carabiners. Try not to rip out the volunteer’s throat as he says “Oh, well, you were stripping for him, I figured he was gonna string you up.”

12. Pull out the scratchiest coconut rope you have in your bag. Growl at your bottom: “crotch rope first.” Enjoy the whimper.

13. After putting on the crotch rope, agree with your bottom that now would probably be a good time to go pee.

14. Inform the top who has approached from across the room that no, he can not use the frame after your top is done suspending you. Refuse to elaborate.

15. When your bottom returns, use the simple leverage and pulley techniques of standard physics to finish suspending him, enjoying the fact that there are extra bits hanging out here and there to add to that symphony of groans, grunts, gasps, and other g-words that haven’t been thought of yet.

16. As you tighten the last hitch to a melodious whimper, enjoy the glazed look of endorphins in his eye as he spins in a Calderesque mobile of cock and masculine submission.

17. Fifteen seconds later, inform that top from across the room that no, you do not want to hear about his “better way” for doing suspensions. Try very hard not to reach for your eye-gouging stiletto heels as he grudgingly mutters “not bad” and goes back to his face-up row-of-single-column-ties suspension on the girl 1/4 his size.

18. Fifteen seconds later, try not to hold a grudge as your bottom informs you that his shoulder hurts, he might need to come out.

19. Plus, he has to pee again.

20. Inform the Top with the flogger, the Top from across the room, and the DM that no, in fact, you do NOT want their help in getting your bottom down and yes, you have “safety shears.” Resist the urge to pull the rescue hook from your garter in spite of your conviction that it’s the perfect diameter for some circumcision play with these guys.

21. As your bottom curls up under the fuzzy blanket, begin to coil the ropes, taking some satisfaction in the feat of sensuality and engineering you’ve accomplished.

22. Inform the top who has just shown up with his rope bunny that yes, you had a great suspension, and he can have the frame as soon as you’re done cleaning up.

23. Try to be patient and maintain your calm as he comments on what a good slave you must be, to coil your master’s ropes so neatly.

24. Actually, hell with that. Kill the fucker. His rope bunny is cute, and would look better in your ropes, anyway.

Miss Behavin' rigs Evinxiamor at the Inferno. Catch her again this thursday, Nov. 11, in the Bondage Capital of the World!

Finding the Brink of WTF

Posted in community, Rope Bondage, sex education, writing on November 6, 2010 by Gray

“Brinksmanship is…the deliberate creation of a recognizable risk, a risk that one does not completely control. It is the tactic of deliberately letting the situation get somewhat out of hand, just because its being out of hand may be intolerable to the other party and force his accommodation…showing that if he makes a contrary move he may disturb us so that we slip over the brink, whether we want to or not, carrying him with us.”

Thinking Strategically,
Dixit & Nalebuff, 1991
(as quoted in the 33 Strategies of War)

I have a problem.

Raging Journey Dancing in Rope

Let me illustrate: once upon a time I really wanted to mindfuck my lover, RagingJourney. She was a brilliant and sharp woman, and I knew it would not be easy. I came up with a plan based on a bit piece in Closet Land. I was not a smoker, and she knew that. I thought that if I got her all bound up, pushing the edges of her comfort zone bit by bit, so that she just started to wonder what was going on, it would prime the situation…and then if I suddenly pulled out and lit a stogie, confidently, as if I’d been doing it my whole life, it would blow her mind, taking her out of the expected and into the WTF.

So I spent months, literally, learning to handle a cigar cutter, learning to light it, picking one out, holding it, all at events away from her. I enlisted the aid of people like Rita Seagrave, who was able to coach me. Finally the evening came at Sabbat de Sade: I had her down on the ground, securely trussed in rope, having pushed, pulled, slapped, and otherwise mauled her, and she was looking up at me with shining eyes and I oh-so-casually reached into my bag, pulled out an Acid KUBA, and lit up.

Her eyes widened as she was thrown into WTF…and then narrowed about three seconds later, as (she later told me) she thought “Oh, Gray learned how to smoke a cigar so that he could mindfuck me.

You see the problem? On the one hand, yes, I value my reputation for being “safe”, for being someone who ethically and responsibly shares his kink.* However, it makes it harder to take things to the edge. In fact, the only time I’ve really been able to do it successfully has been through the illusion of incompetence – such as the kidnapping of my slave to a bondage B&B by convincing her quite thoroughly that I was lost for four hours and too proud to stop and ask for directions (note: this was in a long-ago time before GPS).

For the most part, though, I have such a strong reputation as being safe that sometimes it gets in the way. There have been times that I’ve tried things with Naiia that I was unsure of – kinds of suspension, or variations on needle play, or whatever – and she’s gone along gamely, because, as she puts it, “I trust you.” I value that trust, as long as it’s understood that sometimes it’s not “I trust you to know what you’re doing” but more “I trust that when things go balls-up you’ll be able to handle it and take care of me when it’s over.” Two very different skillsets, in my opinion.

In yesterday’s Toilet Paper (a newsletter I highly recommend) I read about Aron Ralston, someone who certainly takes his passion to extremes. In particular, I liked this phrase:

Deep Play

noun. 1. A term Ralston uses to describe the kind of outdoor activity where the risks are as extreme as the rewards.

Symetrie & I doing Dangerous Rope, 2007

Now, I’m not saying that we should all be doing kink that is so extreme that we end up amputating arms.** But I do think that the way we model our kink after leather and perverse practices is missing a bit of the point. Gay leathermen were risking their lives and reputations when they went to the bars or cruised a park, for example. Anyone who was claiming their sexuality across taboos of race, gender, class, or some other societal norm was risking far more than just “what if they don’t like me?

Are many of us kinksters doing that? Risking that much? I know I’m not; I’m a middle-aged cisgendered white male with a computer, and my public face has been out for a while, through relationships with people young enough to be my daughter, of other races, or with people willingly subjecting themselves to wicked, wicked abuses and then thanking me for it as they beg me to fuck their ass.*** If any of that was suddenly on the front page of the Times – which is what Michele Serchuk warned me and Mollena about as we signed our photo releases – I would have, at most, some minor discomfort as I explained it to my parents, who I don’t talk to much anyway.

That’s not danger. That’s why I write this stuff, because between my reputation for being safe, and my being knot proud, I have to travel to more inner places to find the Brink, to play on the Edge.

If you don’t have that luxury – and believe me, I do not look at it as an accomplishment, I look at it as a privilege, a stroke of luck – then I hope when you play you will take a moment to think, next time you pull out the tools of your kink, about the full risk of what you are doing. How much are you really laying on the line, to embrace more fully who you are, what you love? How much more powerful does that make that act? Don’t let it dissuade you; take pride in your bravery, give yourself credit for just how much strength and passion it takes to be your authentic self.

And then dance on the brink, with passion and joy.

* At least, I hope that's my reputation!
** Unless you're into that. I don't judge.
*** With a tip o' the hat to #FuckToyFriday

Eros by any other name…

Posted in community, play, Rope Bondage, sex education on November 2, 2010 by Gray

A while back, after my homily on Dangerous Rope at the DC GrUE, I found this message from Raven1st in my Fetlife inbox. I’ve redacted and edited, but I think you’ll get the gist:

Maui Kink Toy? Instrument? Talisman?

In a discussion about keeping our own personal relationships with our partners exciting, significant, personal, intense, private (even in a room full of our fellows), then WHY was it never mentioned that the nomenclature we use almost defies that?

It’s called a play-date…not a date. The word “play-date” connotes “fun”…”no strings attached”…it’s just play, nothing serious. Even if you thought I was serious about you, we’re just playing here. No sex, no “connection”, just hedonistic pleasure…I have nothing against pleasure. But on the few…very very few occasions where I was hoping that it MIGHT lead to something, I had a little gripe with that word. I was aware of its subliminal power.

It’s called a scene…not an Erotic Episode or a Sensual Interlude. It’s named in such a way as to suggest that “this thing from moment A to moment Z is a thing where we’ll perform whatever actions and take on whatever emotions are appropriate for two (or three or …seven) people in this situation, and will come away from those emotions post-Z… It seems to say…this moment exists in a bubble, and once we step away from it, the bubble is broken, and we’re back in the real world. Leave the emotions behind

It’s called a toy bag. Okay. No argument. That’s fucking cool. And the only other name I could come up with if I tried would be Sexual Arsenal, or Amore Ammunition, or eh…screw it…I like Toy Bag.

Top & Bottom…those are terms for quarks. sigh

This one had me stumped.

As I wrote in the Dangerous Rope piece, I agree with her. I agree with Lee Harrington that we need to get the shadows back. But I also agree with my friend up there who points out that as long as it’s a “toy bag” and a “play partner” it’s going to be hard to reach those depths of meaning. If my doing an intro-to-flogging experience with someone I just met is labeled with the same word as the scary mind-blowing needle scene I just did with my lover of years, how can I differentiate. I personally fall into the category of linguiphiles that believes that words contain power in shaping how we think and value things; it’s important to me that words either mean what they say or that they are a basis for further conversation, not the end of it.

But the question had me stumped. I did think that perhaps “ritual” was on the right track, but there are so many religious and spiritual associations with it that it didn’t seem quite right…not for me, anyway.

On the first leg of my journey out here to Pittsburgh, I spent an evening in the home of my friends Edward Dain, Sekhmet Dancing, and Keris. They are, among other things, some of the hottest sapiosexual kinksters I know. If I locked them in a room with Midori, Andrea Zanin, Lee Harrington, Ateavey, and Franklin Veaux for a weekend, I’m convinced the resulting ideas would advance the sexual maturity level of humanity by at least a decade. Either that, or the hidden cameras would have some of the hottest porn since Tristan Taormino’s Chemistry.

So I posited the question to them. Keris spoke up first. “Not toys, tools,” she said. “And it’s not play, it’s work.” Seeing my expression of distaste, she clarified. “That is, Work. With a capital W. It comes from the Leather Scene, actually.”

Mollena Williams & Graydancer; photo courtesy of Michele Serchuk

When she capitalized the W, I liked it better. And it resonated, not entirely, but in a way that seemed to lead off in other directions that I’d not thought of before. For me, with my performing arts background, Work is not something that you do as a “job”, it is a vocation. It is a creative enterprise, it is pouring your soul into something – music, a play, a book – to create a thing of awesome and terrible beauty. I like this; it gives me a way to differentiate from a “play date” from a “scene” from a “Work.”

But I’m not sure that vocabulary would be appropriate or fit, and so we continued to play with ideas. Edward Dain brought up the idea of “instruments”, for example, in lieu of toys, and how that works with so many metaphorical models: music, medicine, strategy, science… Sekhmet and I also liked the word “Gear” instead of “toys”, probably due to a shared military background.

DoNotGoGently suggested “pilgrimage”, which didn’t work for me right away (again, that kneejerk resistance to religion) but it led me to the idea of the “Way” in the Taoist sense. The Ordeal Path, the Road of Sorrows, the Gauntlet, the Journey. That also resonated with me, in the idea of “Will you join me on the Path?” It’s not a “scene” with everything ending – it’s more like an exploration further along some realm of identity and consciousness that can be shared by the individuals involved.

I’m still letting it percolate; I don’t like getting too Deep Into Woo for fear of becoming more enamored of the trappings and losing the meaning. But I’d like to propose a puzzle for you, a way to open this conversation for others to spin off and enjoy. I’m hoping we’ll find silliness and profundity and profanity and perversion in the exercise, just like we tend to find in any human interaction.

The Exercise (to be completed in the comments) is to fill in the blanks

“I _______ my _______ when I ______.”

So, to use the examples from above, and then some:

  • I sharpen my tools when I work.
  • I practice my moves when I create my gestampkunstwerk.
  • I focus my lens when I capture my image.
  • I tune my instrument when I make music.
  • I revel in my cock when I use my pretty fucktoy.

This is not a hard and fast exercise; there are no grades, and feel free to add or subtract. But if someone asks you, “What happens when you kink?” how can you answer that without using the words that we always use: toy, toybag, scene, play. Not that there’s anything wrong with those words; the Rope Bomb was some of the best “play” I’ve ever had, and that’s a perfect way to describe it.

But we are communicating here in a difficult language that doesn’t always say what we need it to (as proven by my lapse into German up there). So it will take a little work…let’s see what we come up with.

Rope: the Path from GRR to MMM

Posted in cool people, play, Rope Bondage, sex education, twisted monk on October 29, 2010 by Gray

“We must learn to position ourselves effortlessly within each moment, rather than stumbling through time. We can either escape from the moment or stay with it as it unfolds and do something good with it.”

- C.M. Forni, The Civility Solution

Last night was rough.

Last night was great.

I’m not sure whether the latter really would have been possible had we not had the former.

I’m going to try to explain without going into too much TMI, because this is not designed to be a post about Me and My Problems. It’s supposed to be a post about staying in the moment, and focus, and moving through rather than around things. So try and stay with me here, ok?

Change is a stressful thing for humans, whether you thrive on that stress or not. And even though this move to Pittsburgh is not quite unexpected, it adds stresses to my relationship with my best friend and lover Naiia, who has lived with me for most of a year now. Like many relationships where people are very close and care very much for each other, we got into one of Those Fights.

You know the ones I’m talking about. The kind where you start out talking, go into arguing, and then suddenly you’re both sitting there not quite sure what you’re arguing about, or at least where you’re going with it, but the air is full of tension and anger. Even knowing that the anger is just a flip side of the love you share, even knowing that the points you made are pointless, even knowing that you’ve actually communicated with each other and understand each other – you still have that heart-pounding grrrr feeling. There is this urge to be right.

One of the tools I learned (the hard way) through many such “discussions” is the “What do you need to hear from me?” question. That’s not saying “I’ll say it if you’ll just shut up!” It’s checking in, because often – more often than you think – what they need to hear is something that’s easy to say, and it’s often not what you think. You think, in an argument, they want to hear “I’m wrong, I was an idiot, you were totally right in every way” and you’ll be damned if you’re going to give them that. Instead, you ask that question, and you find out “I need to hear that you still love me.” What? Huh? Yes, of course! That’s easy to say!

Last night, after we’d gone round the various points a few times, I finally asked that question in a way that Naiia was able to answer. I need to know that this hasn’t spoiled the entire evening. Because we had been planning on playing last night, trying to get some quality kink time in before I start the process of moving this weekend.

It wasn’t an easy task. I talk and teach a lot about energy, about “feeling” your way through a scene, and let me tell you, the way we felt in that moment there was not “good” energy between us. Could I have made her cry, could she have made me cum, could we have left marks? Sure, going through the motions. But just forcing that kind of play would have been very counter-productive.

Instead, she took a short walk. I read a little. Then, when she returned, I pulled out some of our favorite rope (4-strand Bavarian Blonde from Twisted Monk via Lee Harrington & Sheryn B) and we decided to just play on the new AIS Events frame. Not “Play” in the dungeon sense; “play” with a little-p. It was the same as if we were ten years old and I’d said “Hey, wanna go swing on the swingset? I’ll push you!

We didn’t try to force our way out of the grr moment into some jarring shift to intimacy. Instead, we gently let the grr fade out, and then just as gently invited the intimacy and hotness in by just putting the parts in motion. We set ourselves in a place where we were doing the familiar – putting on a drum-tie harness, going into an inversion, taking some pictures – and bit by bit it led us away from the grr and into some quite wonderful mmm.

And that’s my point, I think. The utility of staying in the moment, letting the argument and the feelings it brought up burn themselves out, and then letting the simple “let’s play with rope” moment build into quite a hot scene. It’s one of the things I teach in my ShadowPlay class: when you don’t know what to do, don’t do anything. The right action presents itself, if you just are quiet enough to hear it.


Sex, Sin, & Zen Reading Group: Thoughts on Identity

Posted in cool people, ropecast, sex education on October 11, 2010 by Gray

I’ve been taking some time the last few mornings to continue reading Sex, Sin & Zen by one of my favorite authors and Zen teachers, Brad Warner. Today I finished the chapters on BDSM and queer identity in Buddhist culture, which I’m sure you can imagine was of interest to “Bad Buddhist*” like me

The funny thing is, I didn’t really get much out of the BDSM part. I was certainly glad that he didn’t condemn the practices, but actually did more of the opposite. He pointed out that in BDSM, there are power structures obviously put into place and examined and played with. In the rest of the world, there tend to be power structures not-so-obviously put in place, and often either ignored or actively hidden-in-plain-sight. Sort of like the person who doesn’t have a title in a community, but who everyone “knows” is the person to go to in order to get things done. Sometimes this works great. Sometimes I think it gets people in lots of trouble.

Regardless, the point that I appreciated was the idea that by explicitly stating, creating, and “playing with” the power structures, BDSM in some ways became a kind of Zen practice, in that it examined the world from “a bigger container” (Charlotte Joko-Beck’s words, not Brad’s). Of course, like anything, you can take it too far – Zen is called “the middle way” for a reason. How far is too far? That, Brad says, is up to you to decide.

What tickled me was his idea that Koan practice, which is a student being given unsolvable riddles by the teacher, is a kind of masochistic practice “where the student enjoys being defeated by the master.” He draws more parallels between monastic living and D/s and, in the end, is very “Yeah, whatever,” about the whole “lifestyle.” Which, frankly, I find refreshing.

It shouldn’t be surprising, though, because in the queer identity section he continues that theme. I think it would be easy for people of various queer personas – homosexual, kinky, poly – to take umbrage at the way he talks about that identity. He actually writes about it more in his blog. What I got from his chapter, though, was a kind of mental aikido throw.

Queer folk are accustomed in this culture at being harassed or asked to deny that part of themselves that is different than the heterosexual normative fantasy. It becomes necessary to be “out”, to be “proud”, just to have the ability to actually feel your complete self some of the time. When every cultural message puts forth a “norm” that you do not fit into, you have to build strong walls against that constant buffeting. Especially when it can come from strange directions – such as a bisexual trying to like Dan Savage.

Brad’s take on it, though, is not “leave your sexual identity at the door.” Instead, it’s more “sure, take it along, there’s nothing wrong with it – but there are other things we’re going to focus on.” In terms of zen, the impression I get is that sexual identity is no more important to zen practice than, say, hair color identity. If you went into a zen monastery for a time (something I’m really starting to get interested in) and loudly said “BY THE WAY, I’M A BRUNETTE!” the abbot (or whatever power figure was in place) would probably nod, and say something like yes, yes, I can see that. Now let’s sit.

BUT I’M A BRUNETTE. I HAVE BROWN HAIR.

yes, you do. That’s lovely. Now, we’re going to sit-

WHAT? YOU DON’T WANT ME TO BE BRUNETTE HERE! THAT PERSON SHAVED THEIR HEAD! YOU HATE BRUNETTES, DON’T YOU? I HEARD THAT BUDDHA HATED HAIR!

Well, actually, he shaved his head and recommended others do so because they had a problem with lice and so it seemed to work better. We actually don’t care what color hair you have – that’s just part of you, as integral as if you were, say, gay. It’s just not what we’re here to do. Why don’t you sit, and make yourself uncomfortable?

You see what I mean? It’s not about “sin” any more – which is really, really imbalancing to someone who is used to having to fight against intolerance and judgemental and reactionary and fearful attitudes. It’s not even “dancing on the demons of ignorance” – it’s walking along, having someone point out that those cobblestones on the street are demons of ignorance, and saying “Oh. Ok. I’m walking this way, though,” and just keeping on walking.

That’s what I got out of the chapter, and it fit nicely into my own thoughts about BDSM and my queer identity. For example, for many years I’ve identified as POLYAMOROUS. This, to me, meant multiple romantic relationships with the full knowledge and support of all parties involved. It was an important part of my identity, even when it got in the way. First it set me apart from all those “mono” folks; but then again, it set me apart from “poly” folks as well. My kind of poly wasn’t their kind of poly, it seemed, no matter how we tried to talk it out.

Of late, though, I’ve begun letting go of that label. It’s not that I’m saying “I’m Monogamous!” I’m just not all that invested in being labeled “Poly”, either. It carries with it a set of assumptions and a focus on a part of life that, well, I’d rather not focus my attention on right now. I’m more interested in, well, being “Gray”, and from that seeing what happens.

I wonder how much of our struggle to establish identity takes focus away from other things. I wonder how many dominant people expend energy being DOMLY DOMS which could be used just having a better connection with their partner, their community. “We’re here; deal with it!” certainly is an effective tool to effect change and tolerance, but like anything, is it possible to take it too far?

Feedback on Graydancer’s Classes

Posted in community, event, NeatEvent, photography, Rope Bondage, sex education on October 8, 2010 by Gray

“Easy, fast, and useful ties, as advertised. Exceeded expectations. Even people in the back were able to see. Gray demonstrated multiple times so that everyone could see what and how he was tying. Nice, loud speaker that didn’t mess around. Yay!”

- Shibaricon 2010 Attendee on Graydancer’s “Tie ‘Em Up & Fuck ‘Em” class

That is some of the nicest feedback I’ve ever gotten, and it’s probably why I keep getting asked to do this class again and again. Well, that and the high quality of model that I tend to have with me, such as Ten in this short demonstration we did at the Kink Academy Open House.

But while I could wax eloquently about why you should come to both this workshop and the other one, ShadowPlay (on October 20th) I think I will let another satisfied student do the talking for me. This is possibly the most validating and reinforcing class evaluation I’ve ever gotten, and I humbly present it for your perusal:

and for the record, that’s the one thing I’d like to change about the workshop, too.

Hope to see you there!