Archive for the Rope Bondage Category

The Very Short Story Negotiation Technique

Posted in play, Rope Bondage on December 13, 2010 by Gray

The Negotiation Spectrum Formula

There are a lot of forms of negotiation for scenes. They range from the very thorough 18-page checklist created by Jay Wiseman to the famous “Hey, wanna do some stuff?” negotiation technique of Philip the Foole. My own style tends to fall somewhere between the two – I do have several specific things I ask about, but the last thing I want is a “laundry-list” of the things my bottom wants to have happen.

The Very Short Story

In my vanilla writing job I recently came across a game designed to improve listening skills in children. It’s called the “Very Short Story,” and it’s brilliantly simple.

The adult provides a short arc of plot points, with basically one sentence: “A girl walked down the road and picked a flower.” The children in the game then take turns embellishing the story, everyone adding in elements, while listening to the elements from the person before.

It occurred to me that this might be an interesting way to negotiate a scene somewhere between a checklist and the anarchistic wanton wonderland of Philip’s mantra. Something like this:

“I’m going to tie you up.”

“You’re going to tie me up with hemp.

“I’m going to tie you up tightly with hemp.”

“You’re going to tie me tightly with hemp and take pictures so I can see how beautiful the rope is.”

I’m going to tie you tightly with hemp and let you thank me for the beautiful pictures by kissing my boot.”

Hmmm…I’m not sure I can do the boot worship thing. How about I thank you by showing how clever I am with my hands even when they’re tied?

“Ah…interesting. That works. And then?”

“You’re going to tie me tightly with hemp and take pictures that make me feel so beautiful that I want to use my hands to get you off, while you tell me what a good slut I am for you.

And so on. All kinds of elements of negotiation are in there – the pragmatic stuff like “tight” and “hemp” and “not into boot worship.” At the same time elements that might not have been discussed are put into play: “hand job” and “call me slut.” Hearing the story, the top can perhaps even work some of it in advance, like working the slutwordcraft into the beginning of the scene, or taking the time to think about what ties are good to photograph and are tight and work well with hemp.

At least, that’s what it seems like to me. This is just an idea, never been tried, never been tested. But if any of you use the “Very Short Story” technique to negotiate a scene, let me know, ok? I’m interested to see what happens.

Me Rite Blog Post

Posted in play, Rope Bondage on December 10, 2010 by Gray

…with acknowledgment to Ch.35 of The Passionate Programmer by Chad Fowler…

Recently I was chatting with a fellow rigger and he related to me a story about a suspension he’d done while visiting another town. Pardon me while I take some writerly liberties and pretend to speak in his voice:

I wasn’t really there to do suspension that night – I wasn’t feeling it, you know, I was happy doing the floor work. But she’d never been suspended, and asked nicely, and so I said ok, sure, we can do that.

She wanted to feel the way she’d seen the girls in my pics feel – like you wrote about in your post. And I guess she did, because she went away happy-floaty-like.

But I got no energy back from her. I just felt drained.

At this point, there are a lot of riggers out there reading this* who are nodding their heads sagely, saying some variety of “I feel ya, man.” At some point in a rope top’s life they have probably had the experience of pouring their soul into a tie, combining the engineering/physiology/performance/seductive skills into tying, suspending, and then bringing safely to ground a lovely bottom…only to have the bottom giggle endorphically and traipse off to the chorus of “I can’t believe you did that! How did it feel?” from friends and onlookers.

The rope top, meanwhile, is standing by the frame, sweaty, tired, possibly sexually frustrated, and proud in that grim “I did it!” kind of way, left to coil the ropes and get out of the way for the next rope top tapping his foot impatiently.

And you know what? That’s ok.

Really. This is not a post about aftercare**, or about how bottoms should be grateful, or how there should be offers of Lagavulin and Godiva truffles and blow jobs at the end of every rope scene.*** No, actually if what the bottom feels is the need to traipse off happily, then that’s what should happen. That’s what they needed at the end of the scene.

Rather, this is a post about being prepared. About having something in your rope arsenal even more important than a locking carabiner or even (gasp) safety shears.****

Me Rites

To shift things to a personal level, I had a bad breakup a while back. Real bad. And the first time I drove past The Town Where She Lived, it hurt. Damn it hurt, I was surprised. Worse, I was going to have to drive past The Exit a lot over the next few months. I didn’t want it to hurt that much.

So the next time I approached The Town, I did a little imagery. I imagined armor around my heart. Yeah, go ahead, snicker, I did it. I imagined 12-gauge steel plate with rivets and welds encasing the thing.

And you know what? It didn’t hurt so much. It became a little ritual, until The Town just became the town and The Exit was just another off-ramp.

There is a lot of talk about after-care for Tops these days, and thanks be to the Knotty Powers for that. But what about “pre-care”? How about having the mental (and, yeah, I’ll say it, spiritual) tokens and rituals that can get you and the bottom through a rope scene even when they are draining your energy faster than a cracked dilithium crystal?

Vampires Aren’t All Bad. Just the Glittery Ones

If you come up with the “Me Rites” that you need to conserve your energy – whether that’s imagery, crystals, or just reciting passages from The Marketplace over and over in your head – you gain a skill. That’s the ability to work with bottoms who haven’t learned yet how to “give back”. The term “energy vampire” is bandied about a lot, and it’s accurate: some people just take it out of you, feeding off of the energy you give them.

It takes a while for them to learn how to give back, though there is the occasional naturally gifted one such as Evinxiamor. Having your Me-Rites in place protect both of you, and enable you both to have a good scene.

Maybe picturing your heart in armor is too much, and you want to instead have a little CPU Monitor widget fixed in your mind, checking how many cycles-per-second you’re running and how the temperature is holding out. Maybe it’s just the traditional Monster Ceremony (or, in the original Japanese, kageki-genki-yu) as developed by Midori.

Whatever it is, I personally think it’s as important, if not more so, than just plain “aftercare”. Sometimes aftercare is too late. Put your Me Rites in place, and see if that might just help “Top Drop” before it happens.

And what about bottoms, you ask? Good question. Bottoms, I’m sure Tops can be as draining; I can’t really speak from your perspective. So let’s share both sides: what kinds of Me Rites do it for you?

*I flatter myself.
**Look for Mollena‘s “Aftercare, Schmaftercare” class at Shibaricon!
***Unless you’re into that. In which case,
you can reach me at
graydancer @ gmail dot com.
****Yeah. I said it.

Shibari in the Age of Mechanical Reproduction

Posted in art, cool people, photography, play, proporn, Rope Bondage, writing on December 9, 2010 by Gray

I suppose I should start out by explaining to those of you here hoping for a rope-and-steampunk post that this is not it. The title rather refers to a rather overquoted but nonetheless pivotal essay by Walter Benjamin called “Art in the Age of Mechanical Reproduction.”

It’s a fascinating article in its own way, if you are one of those who likes wanking off in discussions about what is or is not art. I’ve found that the newer you are to this theory, the more eager you are to discuss it; having been through decades of such things, I usually just roll my eyes a little and fall back on Chief Justice Potter Stewart’s 1964 definition in Jacobellis vs. Ohio: “I’ll know it when I see it.”

However, I recently allowed myself to become embroiled in just such a discussion on FetLife, and while it wasn’t pleasant, it did give some food for thought. Among other things, it was amusing that I found myself defending the idea that kinbaku is an art form, requiring years of practice to do it well – much like playing a musical instrument. The OP (Original Poster) got quite frustrated by the fact that his post had not been about the whole art-vs-not-art debate at all; his original post had been about a person online who, looking for guidance, had wanted to know if there were tutorials online.

I was one of the first respondents in that thread, and had pointed out the tutorials at BeKnotty and Twisted Monk and of course Jack Elfrink’s stuff. I also noted, as a responsible citizen journalist of the rope world, that “there is a school of thought that one cannot learn shibari online.”

To my mind, that is different than saying “one cannot learn shibari online.” Because frankly, I don’t necessarily believe that some people can learn it one-on-one, either. I’ve tried with a few people who have studied and taught in that way, and found it frustrating.

More to the point, it doesn’t fucking matter.

Forget What You Think

Getting away from the “what is art” argument and to the original point: that person looking for tutorials wanted something. For the sake of argument, let’s say that he saw a picture like this online:

The Fabulous Ms. Berlin & Derrick Pierce

…and he wanted to put his submissive in a similar situation.

Why did he want to do that? Was it because he wanted to get into the wildly lucrative world of bondage porn?* Was it because he was a passionate photographer, and wanted to exactly re-create this amazingly composed photo?**

Perhaps. I don’t think so, though. I think it’s more likely that he didn’t want to duplicate the picture at all. He wanted the results. He wanted to make his sub feel the way Ms. Berlin feels in the picture. Or he wanted to feel the way Derrick feels in the picture. And that’s where the whole “mechanical reproduction” thing comes into play.

See, I did that tie. I took that picture, because this was a shoot that I was directing. So I know exactly what was happening on that set, on that day, in that place. And let me tell you, the orgasmic bliss that Ms. Berlin is conveying in that pic is far more a tribute to her acting ability than any skill on my (or even Derrick’s) part.

Probably more of what was going on in her head was along the lines of:

Who the fuck is this no-talent rigger/director thinks he can tie me in this RIDICULOUS suspension? Jeez this is killing my lumbar vertebrae. Going to have to do some hot tub relaxing today. Wonder if Cherry’s up for coffee after the shoot? At least I have a good PA here to help out. Oh, here comes Derrick’s cock. He’s such a great guy, too bad he’s gotta work with this midwest hack too…”

That’s not to say that I know that was her inner monologue-Berlin and I are friends, but this was the first time we met and I was a hack, as this was my very first professional bondage shoot.

But I doubt that the FetLife poster was hoping to have his submissive thinking those kinds of thoughts when he reproduced the tie. No, he didn’t want his sub to feel the way the people in the picture felt.

He wanted his sub to feel the way he thought the people in the picture felt.

And that’s the crux of it. The proper response to that FetLife poster should not have been me listing the tutorials; those are just ways of duplicating the images. Nor was the proper response to say “You can’t do that; it’s art, and reserved for the Worthy.” It certainly wasn’t helpful to say, “Oh, that? Anybody can do that. It’s no big deal.

What ends up happening, time and again, is that he takes either track – saves up the money, goes to Japan and studies, or just decides to “reverse engineer” the ties using things online, and gets to the point where she and he are in exactly the same position…and suddenly they realize: this doesn’t feel the way I thought it would.

Nouns Don’t Matter

To my mind, the most important question to ask, whether you’re an experienced rigger or a novice knotter, is not “What do you want to do?” but rather “How do you want to feel?” That determines the tools you use, the frame of mind, the setting, the technique – everything else. What is the tone of the rope bondage? I personally believe that with that as your goal, it doesn’t matter if you’re doing a one-column tie or a takate-reallyfuckinghawtakote with a side of hashirodokai sauce.

Most of the time when I do rope for enjoyment (as opposed to for performance, education, or photography, in which case fun is by-product rather than the objective) I don’t have a big idea of a complicated tie. I tend to go in and start working with the rope and the body and the way it changes over time, and at the end, if you want to call it smut or art or craft, it really doesn’t matter to me. What matters to me are the adjectives, not the nouns. Was it good? Was it fun? Was it beautiful?

We can re-create images in 3-d and record the steps on hi-def video and break them down into loop A over bight B around Nipple C. But as far as I know, there’s no way to accurately recreate the feelings involved – even between the same two people with the same rope.

I love that ephemerality. I love that “unique and special snowflake”-ness of it. And that’s why I’ll see you in the dungeon.

*Quit laughing, Ten

** Quit laughing, SmutCraft/Monkeyfetish/MMayhem

The Kinky Mormon Pause, pt. 2

Posted in cool people, play, Rope Bondage, writing on December 7, 2010 by Gray

“What about the bottom?” DoNotGoGently asked me shortly after she read my post about The Mormon Pause. I’ll wait while you click the link and catch up on the reading…

OK, back? As you can see, she’s absolutely right. I didn’t mention a thing about the bottom’s point of view. Sure, it’s all well and good for the top to sit there and wait for the next thing to happen, to “allow” the space to open and present the right action, but what about the Bottom? Are they supposed to just sit there and do nothing.

Well, yes. And no.

In my opinion, the first part is a yes. They are supposed to “just sit there.” Or lay there, or writhe there, or dance there or hop there or dangle there…you know what I mean. However, they are far from doing “nothing.” In fact, I would argue that their task is far harder than the Top’s.

I view the “Kinky Mormon Pause” for Bottom’s as being Present. No, I’m not trying to go all “slashcappy” here, I capitalized that P because it does need differentiation. I have a friend who earned a Master’s of Fine Arts with a final dissertation on the ability to be “Present”, so it’s a pretty big deal. It involves being able to let go of anticipation. It means being able to open up to whatever comes next, to give up any semblance of control and simply accept whatever happens.

Yep, this is the Girl that was Terrified of Needle Play

This does not look like a sack of meat. Not reacting to a stimulus or emotion is another form of control, after all. Being present means letting yourself feel and express your reaction to whatever happens next, and then letting it go, ready for the next thing. In some that is a peaceful glazed look. In others that is a scream and a frenetic thrashing against the ropes. In some it’s a wave of orgasm, in others it’s a desperate, hopeless torrent of tears.

In every case, when it comes from that Present place, I find it amazingly beautiful. I am in awe of the bottoms I know who can go there, whether I’m playing with them or not.

It’s hard not to let the mind go wild. In fact, it’s so hard that it’s a common technique used by tops. “Just stand there and run the rope through your fingers speculatively,” I teach, “let the bottom’s mind do the work. Odds are, whatever they’re imagining is probably much worse than what you’re actually planning.*” It’s a time-honored technique in interrogation. “Go and get me three hamsters, a spool of copper wire, and a jar of peanut butter!” barks the interrogator to the subordinate, and then just looks at the prisoner with a semi-pitying smile, letting the implications sink in. After a moment: “And don’t forget the Coleman stove!”

If the prisoner/bottom is able to be “Present”, this technique won’t work. And that’s ok; it provides an entirely different canvas of the body and mind for the Top to work with, arguably a higher level of connection and sensation.

How do you cultivate this? Good question. The obvious answer is “zen meditation” but then people start getting all “cultural appropriation”-this and “woo-woo” that. Plus, having been a zen practitioner for over two decades, I can’t pretend I’m not biased towards it. I suspect that letting yourself fall into music might be a technique, or listening to a painting. Or dancing about architecture. Whatever the technique, I know it takes practice, because even after the aforementioned two decades, I only occasionally manage it.

But oh, how I long for it. That ineffable moment. And on someone else? It is the most beautiful thing I’ve ever seen.

Ropecraft

Posted in art, cool people, event, maui kink, play, Rope Bondage on December 6, 2010 by Gray

“The study of magic is not a science, it is not an art, and it is not religion. Magic is a craft. When we do magic, we do not wish and we do not pray. We rely upon our will and our knowledge and our skill to make a specific change in the world…”
–Lev Grossman, The Magicians

My friend Lochai recently posted a stimulating question on the Shibaricon mailing list. It was, like many great questions, short and to the point:

Why rope?

I think my answer lies in an example I use a lot when I teach. If I come towards a person with a flogger, they know pretty much what’s going to happen. If I come towards a person with some fine leather bondage shackles, they know where they’re going to go. If I pull out some hand-blown fluted fire-cups, it’s pretty obvious what’s going to happen next.

If I walk towards someone with a coiled piece of hemp, they have no clue. Except that it will involve rope. Probably.

Here. I’ll set a timer, and come up with ten things I could do with that coil of rope:

  1. Cover it with a condom and fuck them.
  2. Knot the ends and give them a very sharp and painful whipping.
  3. Re-coil it into a soft, thuddy flogger.
  4. Tie a crotch rope hooked into their hair and make them give me head while rubbing out orgasm after orgasm.
  5. Hogtie them and enjoy their escape attempts.
  6. Use the rope to highlight a part of their anatomy (ass, breasts, cock & balls, whatever) and lavish attention on it.
  7. Introduce them to some Enforced Yoga Poses.
  8. String the knotted line across the room and force them to straddle it, walking along the line reciting humiliating phrases in Russian.
  9. Gag & blindfold them.
  10. Tie their hands together.

OK, that took me longer than expected – one minute and 15 seconds. Try it yourself; feel free to share your results in the comments. Admittedly, some might say that the last one (or two) shouldn’t count, that they’re too basic. That’s a subject for another post.

My point is that rope is nothing but potential until I exercise my skill and desire upon it-and at that point, the range of options available is greater than any other tool I’ve seen. It’s Schroedinger’s Rope, if you will: it’s everything until you make it something. It is unknowable:

The Unknowable is that which lies in the cracks between the known and the irrelevant…the Unknowable lives in a pack of cards after it has been fairly shuffled but before it has been dealt, when all the possibilities are open, and which each possibility matters.
Stephen Brust & Emma Bull, Freedom and Necessity

That rope will do nothing without the rigger’s will. Their intent.

That intention may be nothing more than to replicate the knots on some picture they saw.

Or it may be with the intention of creating a passionate experience filled with ephemeral beauty for an audience of two.

I know which I prefer. And that is why rope, Lochai.

That is my ropecraft.

The Rope Guy

Posted in community, cool people, play, Rope Bondage, sex education on November 30, 2010 by Gray

There is  a particular role in almost every community known as “The Rope Guy”* Usually it’s the person you go to when you want to get tied up/suspended/decorated/figure out how to tie down the mattress to the van. It’s not a pejorative by any means. But like any label, it can sometimes be the end of a conversation, rather than the beginning of one.

That’s not just for the people of the community. More insidiously, it’s within the heads of the Rope Guys themselves.

This came to me as I was reading a book that my former metamour Steve Eley pushed at me, called “The Passionate Programmer.

A Remarkably Good Book

Not, as I’d hoped, a book about erotic mind control. Not even a book about technosexuals such as TruckerSpike, OohSpicy, or Nellodee. Nor am I about to give up the highly lucrative and secure life of a Ninja Sex Poodle for the flighty and hedonistic lifestyle of a programmer.

This is a book about “Creating a Remarkable Career in Software Development.” They could have stopped after the first four words. In fact, I’m only on page 34 and I have to stop and write about the sentence at the top of the page. Author Chad Fowler is talking about “Choosing Your Market” and developing your skillset accordingly, and he brings up the subject of specialization.

“Too many of us seem to believe that specializing in something simply means you don’t know about other things. I could, for example, call my mother a Windows specialist, because she has never used Linux or OS X. Or I could say that my relatives out in the countryside in Arkansas are country music specialists, because they’ve never heard anything else.”

A while back I was getting a little burned out on rope. Rope Rope Rope, everywhere I went, and it was the time I began broadening out my class list to go beyond rope tutorials. I was looking for something, some area of kink that would intrigue me and satisfy me in the way rope bondage does – sexually, artistically, geekily, emotionally, and more.

I thought maybe needles (nope). Singletail (nope). Wrestling (fun, but nope). Fireplay (nope). I developed a level of competency, and in some cases even skill, in each of these and more, but it was frustrating. You know what ended up becoming the thing I became passionate about?

Cigars. Motherfucking cigars. Classes from Whip Master Bob, Sarah Sloane, Jim & Jereth, Daddy Wendell, fascinated me. Explorations of cigar play with Rita Seagrave, Ava Amnesia, Mollena Williams and especially the service of Naiia all fulfilled and satisfied me on a level I would have never expected. I picked up cigars at all just for a prank, for a part of a mindfuck. But now there’s a whole world of cigars, cigar play, cigar history, cigar protocol waiting for me to explore, and it’s grand.

Sometimes you are the Rope Guy because you committed to memory every page of Bondage for Sex and have music from the Knotty Boys videos on your iPod and have the kanji for every tie you’ve done from Master K’s “Beauty of Kinbaku” tattooed on your arm. That’s fine; it’s an accomplishment, and a tribute to your passion and dedication. I’m guilty of it myself (except the tattoo part).

But if that’s the extent of your kink… it might be time to pick up a single tail. Or learn some fire play. It’s not that you have to like the new skill, or that you have to have more than a cursory idea of what’s involved. But having that cursory idea can’t help but broaden (and improve) your skillset in human interaction, and that’s (in my humble opinion) the single most important skill for anyone interested in kink.

On the other hand, if you know the Rope Guy(s) in your community, don’t assume they are a one trick pony.** Ask them what else they might want to do, or introduce them to what you enjoy. Above all, don’t assume that every conversation/interaction has to be about rope. Don’t assume that’s the only class they can teach.

People are more than the gear in their bag or the shape of their flesh. I would encourage you to explore that “more-ness”. I believe it can’t help but make the world of kink a far richer place.

“A human being should be able to change a diaper, plan an invasion, butcher a hog, conn a ship, design a building, write a sonnet, balance accounts, build a wall, set a bone, comfort the dying, take orders, give orders, cooperate, act alone, solve equations, analyze a new problem, pitch manure, program a computer, cook a tasty meal, fight efficiently, die gallantly. Specialization is for insects.”

-Robert A. Heinlein

* Note that “Guy” in this case is gender-neutral, as reflected in the use of pronouns throughout.
**Hell, they might actually BE a pony!

The Kinky Mormon Pause

Posted in play, Rope Bondage, sex education, writing on November 26, 2010 by Gray

There comes a part in every GrUE (or other Open Spaces event) which is totally mind-wracking for the facilitator. It’s the moment after they have explained to people that the agenda for the day will be created out of the participants’ passions. Every person there is invited to think about an issue, subject, discussion, or other form of interaction they care about deeply, and then take responsibility for making that a part of the Unconference.

It’s a great process for creating amazing experiences. I’ve done it nineteen times at GrUEs, and you’d think that it would be easy by now. But there’s always that one moment of fear, of uncertainty:

What if nobody puts up anything?

The temptation, of course, is to nudge, cajole, suggest, or otherwise try to influence things. You can’t do that. Quite literally, in the books and papers that describe the process, Harrison Owen suggests that the facilitator stick their hands in their pockets, or go get coffee, or do anything that will keep them from trying to push people. It can lead to some very pregnant pauses. People look at each other with expressions that say “Huh? Is this guy serious?” or “Well…that may be true, but I’m certainly not going to be the first one…

It’s nervewracking. But it’s an absolutely essential part of the system that creates the Open Space. The facilitator can only open the door, never actually push people through. So, I just wait. And every time, without fail, people get up, write something down, and things go on wonderfully. Of course, if there are GrUE veterans there, it’s sometimes the opposite: a stampede of people with a horde of great ideas they want to share. Even then, though, there is the Very Important Task I have of Getting the Fuck Out of the Way, and trusting both the process and the people.

I was talking about this experience with DoNotGoGently the other day and she used a phrase to describe it that I was not familiar with: “The Mormon Pause.” She’d heard of it in her work in academia, and it was the moment after you’ve asked the students a question and you simply wait for someone – anyone – to say something.

Now, I was raised in the Mormon church, and I’d never heard of that phrase. But I could see a couple of places where it might have come from. It might be the testimony meetings where the congregation waits for people to become inspired to stand up and declare their faith. It could also be a technique used by the Missionaries, some of the slickest and most well-trained psychological manipulators in the world.

In a classroom, though, it’s a bit of a power struggle between the students and the teacher. It’s that moment between knowledge being given and knowledge being earned. There’s an entire narrative that tends to go on in that pause, something like this:

“Oh, sure, a question. I’ll just sit this one out. Someone else will say something.”

“Huh. Looks like no one else is saying anything. Oh, well, the prof will have something to say sooner or later.”

“O…K…she’s just sitting there. She’s gotta say something soon, right?”

“Fuck. It’s too quiet. Why won’t someone say something? This isn’t what I paid my tuition for!”

“I CAN’T BELIEVE NO ONE IS ACTUALLY GOING TO BRING UP THAT POINT THAT I THOUGHT ABOUT THIS MORNING IN THE SHOWER. DO I HAVE TO FUCKING DO EVERYTHING MYSELF? JESUS CHRIST SOMEBODY HAS TO SAY SOMETHING OKFINEI’LLTALKALREADY!!!”

Good teachers have the patience to let that inner dialogue play itself out. Thing is, it’s an essential tool for good tops and doms, as well. In my “ShadowPlay” workshops I quote Cheri Huber, a zen master, who says something along the lines of “Do you have the patience to not disturb the water, to see what comes up?” D.T. Suzuki said it even more succinctly: “Don’t just do something. Sit there.

A Mormon Pause in a Sex & Submission shoot (btw, Kink.com has 2-for-1 subscriptions for the holidays!)

See, there will come a time in a scene, especially one that is longer, more involved with multiple actions and events and emotions – when you won’t know what to do next. It’s a moment of indecision, or at least appears to be. In reality, it’s a “space in between.” It’s a time for the the emotions and feelings on both sides to marinate, to simmer, to let the passage of time temper and fine-tune the whole process.

It’s ok to stand there and let that space grow. It gives the bottom’s mind time to go all sorts of evil places: “What’s she going to do next? Oh my god, I hope it’s (not) that thing that I (always/never) fantasized about, because that would be so (cruel/amazing).” Meanwhile, you’re just standing there, looking at them. It’s important to cultivate the right expression: speculative, evaluative, considering. Don’t finger your tools, or pace, or look away; that conveys indecisiveness.

I want to emphasize: it’s fine to be indecisive. Just don’t convey it. And with a little practice, you’ll learn to sit in that space yourself, to welcome it, because when you insert that kinky Mormon Pause the right next action will present itself. Janet Hardy once said in a very memorable Impact Play workshop “I look at a body, it’ll tell me where to hit it.” But first you have to take the time to look.

If you sit there and let that pause grow, something, some movement, expression, intake of breath, sound or shift of light will let you know: this is what should happen next. I promise you that if you do that, at some later point you’ll have them saying something like “I don’t know how you knew, but that was exactly the right thing to do…

At which point you nod sagely, and say “I just know…” and thank the Mormon’s for their contribution to your kink.

Don’t forget to check out the rare Shanghai Issue #1 Auction!

The Breathplay Post

Posted in community, play, Rope Bondage, writing on November 22, 2010 by Gray

In spite of my efforts to the contrary, the previous post, which was about hyperbole, seems to have inspired much talk about Breath Play instead. It’s very interesting, from a social media/sociological/psychological point of view, to see the ways people interpret my writing, my conclusions, and my stance on breath play. I accept entire responsibility for that; the failure to communicate lies in the writer, not the reader.

In an effort to clarify and directly address the subject, I present for you my four part Official Position on Breath Play:

  1. I disapprove of every abstinence-only educational policy I have ever encountered.
  2. I have engaged in and continue to engage in “breathplay”, sometimes to the point of unconsciousness with several different play partners with their full consent and knowledge of the current opinions regarding the risks involved. The following list is intended to be inclusive, not exclusive, of the various techniques used as either the top, bottom, or both:
    1. Aggressive Hugging
    2. Deep Kissing
    3. Throat-filling fellatio
    4. Queening/Kinging
    5. Smothering
    6. Crushing
    7. Blood chokes (with a tip o’ the hat to RiggerJay)
    8. Water bondage
    9. Punching
    10. Trampling
    11. Telling puns so bad they gasp
    12. Tightlacing
    13. Constrictive rope harnesses
    14. Hard fall aikido throws
    15. Forced orgasm to the point of forgetting to breathe
    16. Telling jokes so funny they laugh themselves to hypoxia
    17. Leaving play parties into weather so cold it freezes the lungs
    18. Running
    19. P90X
    20. Contact Improvisation
    21. Swing Dancing
    22. Ball-gags combined with making the pretty girl cry
  3. I do not, nor am I interested in, teaching breath play, debating its safety, or taking any side in the ongoing dispute. I do enjoy watching* both sides go at it, as debate and rhetoric are passions of mine.** I am only interested in discussing breath play with potential play partners, and like any hard limit, respect their views completely regardless of whether I agree with them personally.
  4. There is no Number Four.***

There we have it. Comments are welcome, however any attempt to draw me into a discussion about breath play that is not intended for potential play will be met with the aforementioned Number Four.

*Preferably while eating popcorn and/or Junior Mints

**Along with the occasional academic specializing in those subjects

**Well, I thought about making Four “I like boobies,”
just to get it out there, but I figured that kind of levity
might detract from the serious tenor
that I try to maintain in this post
and, really, throughout my blog/podcast/kink.

The Most Controversial Post EVER!!

Posted in community, cool people, play, Rope Bondage, sex education on November 21, 2010 by Gray

Note: this post has been edited from its original content. I made two errors, in saying that Mistress Matisse had said that the choking techniques required “years” of training, and second in incorrectly using the word “alarmist.” Both have been edited, and I apologize for the sloppy fact-checking.

Of all the various tropes and myriad ways of the English language, there’s one that I mistrust and dislike more than any other.

Hyperbole.

It’s probably a deep seated resentment going back to parental contradictions in my youth, the cross-currents of “You could do anything!” combined with “You’ll never amount to anything!” that played havoc with my developing character. There is no burden greater for a youth, I’m convinced, than to be told one has “great potential.” What do you do with that?

I later came to dislike it in that giant miasma of ideas and words and feelings that we label as “communication” in relationships. It took years, but I began to notice a pattern, or at least an indicator: any time the conversation included the words “never” or “always”  then the exchange of information was effectively over. It was sort of a weird version of Godwin’s Law; there was no answer to that, because at that point it wasn’t true. “You never do this,” and “I always do that” are demonstrably unprovable because they include the future in them, and the future is unknowable.

Part of my dislike of hyperbole is that it is so clumsy. It’s lazy language, really, saying “I don’t have the time to actually examine this idea, to go into fine detail, so I’m going to just lump it all together into one big Club of Assumption and use it to bludgeon you into my way of thinking.”

It’s so easy to avoid, too. All you have to do is put some conditionals to it: “It seems to me that…” or maybe “A lot of the time...” or “There is a tendency to…” But those dilute the Power of the Hyperbolic Word; they require some reflection, some more discussion, and let’s face it, it’s more dramatic to speak in broad, sweeping strokes.

It’s also less effective. A former lover once used hyperbole in a deliberately hurtful way to zero in on one of my biggest insecurities. Even as I write this, years later, I can easily call up the sense memory of her laying naked underneath me, saying this one particular sentence that began with “You’ll never…” and proceeded to pierce my psyche in a way that would have made a Marine sniper proud.

Even when she admitted, years later, that she’d done it simply to drive me away – that the substance of what she said had not been as important as the effect – the substance still sticks, and still needs to be worked through. To use a metaphor, she trimmed my nails with a sledgehammer.

I also mock hyperbole. I’ve used what I call the “Fox News Strategy” to turn Madison, WI into the Bondage Capital of the World. That is, I’ve said that phrase over and over again online, in podcasts, and in person until even Google admits that it is true. And therefore it must be, right? Like many titles in the kink community, it is only given what power we choose to give it; a Master given that status by the submission of her slave, a Presenter given that title by his name in a program booklet.

A powerful enough metaphor creates its own truth,” wrote Matthew Stover in the novel I was reading this morning, and I have experienced that. It’s why I fear hyperbole as well. My ex-lover’s words echoing in my skull; how much has that internalized their message, even when they weren’t intended? How many children have been warped by their parents offhand “Why do you ALWAYS…” or “Why can’t you EVER…“? How many relationships have been damaged by the realization that submission and dominance do not also convey the gifts of infinite endurance and infallibility?

Which is why I shook my head as I read my friend Mistress Matisse’s recent column in the Stranger, where she talked about her impressions of Lee Harrington’s recent breath play class. I followed her argument clearly, because she’s a fantastically smart person and a great writer. But at one point she dismisses one of the most powerful arguments of breath play proponents using hyperbole. And at that point, I felt her argument became weakened, and it felt a shame, because it didn’t need to be.

“Eppur si muove…”

It’s one of my favorite phrases, mainly because it’s the embodiment of my life. I’ve been told I would never make it through the Marines, that my kids would be failures because they’re mixed-race, that I’d never go to college, that I’d never be a dancer, and many other things that I’ve then gone ahead and done. If Goethe’s not your style, insert Han Solo’s “Never tell me the odds!” quote. Or Twain’s “Lies, damn lies, and statistics,” if you’d rather. Whatever it is, one of the risks you run when you hinge your argument on hyperbole is that it is a very big and very fragile balloon which poppeth easily under the needle of fact.

In the breath play controversy, for example, there is the simple fact that choke holds have been used in martial arts for decades, perhaps centuries, with no documented or provable ill effects. There have been studies, there have been tests, and yet this continues to be taught.

People against breath play often point out that there is a vast difference between the average kinkster and “Master martial artists” who are competing at a high level and under close supervision with medical personnel immediately at hand. Which is, in fact, a true statement: there is a big difference between those things.

The problem is, it’s not relevant to the argument. It’s like saying “You shouldn’t ride your bicycle, because motorcycle accidents are very common.” If you compare the average kinkster with the average jujitsu class, you would see a much closer fit; more to the point, choke holds are far from a “Master” level of skill.

I have to guard myself now from going into territory that I am not qualified to speak on, so let me simply relate my own experience. In Marine boot camp, during your second phase of training, there is a short “close combat” course. During that course you are taught things like how to sneak up and knife someone so that they die instantly; how to bayonet and butt-stroke with your weapon; how to break someone’s neck with the infamous “one-second kill.”

They also took perhaps 45 minutes to teach us how to choke each other out using a blood choke. That is, two instructors running approximately 40 recruits through an assembly-line educational process. “Do this. Now do this. When you feel them slump, let go.” Then they had us do it to each other, some twice.

Now, I can’t speak for the USMC. It seems to me that if there was a high fatality rate – say, any tenth of a percent – of recruits who had problems with that, they would have stopped the practice. And maybe they have, though we jarheads are proud of our “over two centuries of tradition unimpeded by progress.”

But what I can say, unequivocally, is that there was no “master-level” training going on here. There was less than an hour of instruction and hands-on practice. It was simple body mechanics.

The other arguments for breath play are much more clearly stated by people much more qualified than me in various forums on FetLife and other places. I’ve read them, as thoroughly as I’ve read Jay Wiseman’s arguments against it. He’s very persuasive, until the other experts – and yes, they are experts, in law and in medicine – ask him direct questions.

At that point, in my opinion, rather than enter into discussion, things fall into hyperbole. Often ad hominem attacks, too, but that’s another thing. But there are claims of “never” and “always” and “high-level” this and “closely supervised” that. Every real-world example has factors other than breath play – chronic heart condition, the use of mind- and body-altering substances – that mitigate the reasoning that breath play was to blame.

More to the point, there has also been at least one documented case where a woman apparently bled to death through fisting; yet I do not see people clamoring to put a stop to this practice at events.

I wish people could have a calm, rational discussion, free of hyperbole, about this subject. But it doesn’t seem to be possible, or at least hasn’t happened yet. Maybe someday.

Meanwhile, this is not a post about breath play. This is a post about hyperbole. I’m against it. It is the most destructive force in the English language.

I’m 100% sure of it.

Cad-egorizing Naiia

Posted in cool people, family, GRUE, play, Rope Bondage on November 17, 2010 by Gray

“Labels, and Why I Hate Them” was one of the classes Vesper suggested at the recent Madison Satyricon GrUE, and it seemed to coincide well with my own proposed class: “WHATCHAMACALLIT: Finding Different Words for What It Is We Do.” The discussion itself was very enjoyable, and probably could have gone on far longer than originally intended. One insight that came from it was the realization that for some people, words have relational meaning, whereas for others, they have meaning in terms of identity.

DJ, a fantastic rope top from St. Louis, used the example of the word “Master.” To him, it is possible to be a Master without necessarily having a slave; it is a state of being, integral to the idea of self for many people. Others such as T-One (another great rope top from St. Louis, what’s up with that?) feels that Master is a statement of relationship, such as husband or father; you have to have the complement in order to have the identity.

Someone said, exasperated, “Do we really need more words?” to which I have to say, well, yes. When DJ uses the word “Master” he was talking about something different than when T-One used the word. They were using the same word to talk about two different things. That means there needs to be more words – whether in terms of labels, or at the very least in terms of further conversation.

Recently I’ve found that there are also causal changes to the meanings of words – not just nouns, but verbs. Naiia has told me of the many, many people – nice, well-meaning people – who have been asking her if she’s “all right.” They’re referring to my move to Pittsburgh, and what they perceive as abandoning a relationship, leaving Naiia completely to her own devices there in the Bondage Capital of the World. “After all, you moved there for him,” several people have said, “it must be hard.”

To which Naiia and I both say,

Huh? sound clip

See, we were there. We were there for the two years of long-distance friendship that developed some distinct benefits, including great sex, D/s dynamics, and the fits of giggles we’d go into any time we tried being all “soft & gentle.” We were there as she grew more and more disenchanted with her home in D.C., both due to former relationships and due to her job.

We were there when I heard of a job opportunity in Madison, and told her about it. Like any good friend, I offered to let her stay with me until she found her own place.

That job didn’t work out, and the economy being what it is, she ended up staying with me longer than expected, and that “friends with benefits” situation made it even more pleasant. We even tried some 24/7 D/s, and she was a lovely and attentive girl, but I was not able to comfortably settle into that dynamic.

But I love my Naiia, and it showed. And I guess it makes sense that people would automatically assume several things, because they seemed logical:

Gray and Naiia are lovers.

True.

Naiia and Gray obviously enjoy a D/s dynamic.

Oh, yeah, there was that time that she –

That’s why she moved out here.

Huh? Um, no, see above –

The two of them are a couple.

Well, depends on how you define it – we’re not BF/GF, more BFF w/Benefits, if you must -

Gray is leaving? She’s going to be abandoned!

What?!? No!! Remember the two years before that, when she was in D.C. and I was in…

…at which point I just shake my head and realize that it’s probably hopeless to try and change popular perception.

Then I shake my head again, and realize I have to try.

Why?

Well, it comes back to that situation of identity that we were talking about at the beginning of this blog post. An important part of my identity is not abandoning responsibilities. The obvious example is my children, but there are others that verge on the ridiculous – situations where I should have stopped long before I did, refusing to follow W.C. Fields’ advice: “If at first you don’t succeed, try, try again. Then quit. No use making a damn fool of yourself about it.

More often than not I’d prefer to have the label Damn Fool than the label Cad. And since I take D/s relationships very seriously – if Naiia had moved up to Madison in order to be my girl, I would indeed be having second thoughts about “leaving” her there, even with the excellent support network of friends that she’s made over the past year.

But I also have trouble with this word “leaving“. Most of our relationship was spent apart, communicating through email, text, and chat, and the occasional event where she was my “native guide” and a superb demo bottom. The fact that she also was a fellatrix extraordinaire was, well, I confess, an added bonus, especially when doing interviews for John Baku’s podcast, but the point is: distance didn’t keep our relationship from developing; why on earth would I let it stop now? That would make no sense at all, and while I’ve been known to do some stupid things, that is not one of them.

So the reality for Naiia and I (and for DoNotGoGently, the reason I did move to Pittsburgh) is that our relationship is just as wonderful and enjoyable as it has been – but with some distance which is, admittedly, inconvenient. We do what we used to do – bitch about our jobs, snark about politics, send each other dirty pictures found on the web. When we are together, such as at the Truly Bound 2 event or the Madison S’GrUE, there is laughter, there is watching Dexter, eating lasagna and taco bell and oh, yes, much violent fucking, beating, spanking, biting, and the oral sex and occasional leather boot to the head.

But what’s the word for that?

That’s our reality; it’s what actually exists, but how do you explain that? Naiia and I tend not to really care, to be honest; we call ourselves “best friends”, we call ourselves “lovers”, we used to call ourselves “roommates”, but really, we are what we are to each other, and ca suffit. It’s hard for people that see us together, though, because they see a situation and want to put a label connected with all sorts of other expectations and connotations onto it. She’s kneeling at his feet. She must be his slave. All sorts of assumptions about future plans, living conditions, other relationships are made along with that, regardless of their accuracy.

As if that’s not enough, DoNotGoGently has to deal with it from the other end, where people try to go from labels to understanding the relationship. I heard the frustration in her voice as she’d tried to explain where I was this past weekend.

Gray’s at a GrUE? Why aren’t you there?

Well, he’s at this one with Naiia.

Oh, so you’re doing that whole mono/poly thing. How’s that working?

Actually, no, as part of “coming out day” he came out as not poly or mono, so that -

But…then what is Naiia, to him?

Well, they’re lovers, and best friends, and -

Oh, so he just gets to have whatever relationship he wants and you just deal with it?

At this point a certain look of pity tends to come over the face of whoever is trying to understand, because obviously a monogamous person wants to be with a monogamous person, whereas a poly person (or, in this case, not-monogamous-or-polyamorous) can just be with anyone. Right?

(sigh). But that’s another blog post.

Reality Trumps Perception

I think the point of this one comes back to Mark Twain’s comment: The map is not the territory. I can show you a map with labels and the places and events I’ve shared with Naiia, and even come up with some labels that might give you an idea of what parts of our relationship are like. The truth is, though, I will never be a good enough writer to convey exactly what it was like staring into her eyes while DJPet’s GrUE mix played in the dance hall where the GrUE play party was held. Maybe if you combined a violet wand, a netti pot, and the first time you saw the Matrix into one experience you’d come close, but even that’s inadequate. Maybe the time your best friend and you both aced a hard exam you’d been studying for plus the time she first did that thing you fantasized about but were afraid to ask for plus the taste of cinnamon hot chocolate on a crisp fall sunday morning as you triumphantly finish the NYT crossword.

Yeah. That’s close. But still not there. The fact is, even the thousand words that this picture is worth (plus the 1500 I’ve spent blathering on the subject) aren’t adequate. And if I’m having this much trouble explaining it in broad terms, no wonder it becomes more difficult to explain it in exact terms to those who need to know, such as my girlfriend DoNotGoGently?

Accepting the Is-ness of Us

A while back, while I was mentoring a group of LGBTQ teens in a theater group, I heard the group questioning a young man. “Are you gay? Straight? Bi?”

He looked at them with a calm, almost amused expression. “I’m John.”That said it all (and yes, I changed the name to protect the not-so-innocent, though he’s been an adult for a while now).

I think that has to be the answer, really. It’s got to just come down to the subject and the verb, with no predicate to muddy the issue. When asked the question What are we? we have to either be prepared to get into a long conversation about boundaries, sacred spaces, intimacy, trust, communication, and blowjobs, or else simply give the easiest answer.

We are.

C’est tout.