Archive for the Rope Bondage Category

The Dark Odyssey WinterFire Cabaret Social!

Posted in art, community, event, NeatEvent, play, Rope Bondage on January 28, 2011 by admin

To say I’m looking forward to DOWF would be an understatement. The organizers approached me and asked if I would help with a fund raiser for NCSF. Of course I agreed, and they let me come up with this format (which has been a part of a few Shibaricons, as well). This is what “America’s Got Talent” would be like if there wasn’t an FCC.

The First-Ever Winter Fire Cabaret Social!

Got Talent? Come and share!

Hosted By Graydancer
Get to know a different side of your fellow travelers in this Dark Odyssey at the Winterfire Cabaret. This is the Talent Show your mother warned you about, with kinksters showing off their skills in short, lively acts guaranteed to amaze, or at least amuse, everyone.

Hosted by Graydancer, the Cabaret is an environment designed for casual entertainment, with professional talent and talented amateurs lending their grace and skill to the stage. Juggling! Music! Kilted kicklines! Dancing bears! Stop in, enjoy the acts, and take a moment to bid in a round of the NCSF Lightning Auction between acts.

Interested in performing in this vaudeville-style stage show? Contact Graydancer@gmail.com. Guaranteed to be fun for the whole fami- well, fun for the whole community, anyway. Hope to see you there!

Hajime Kinoko & Asagi Ageha in Culture X

Posted in art, community, cool people, NeatEvent, photography, Rope Bondage on January 27, 2011 by admin

I have a real love-hate relationship with this video. On the one hand, it does some things right, such as referring to to the “art” as kinbaku, and linking the “rope culture” of Japan to the practice. On the other hand, starting from the Ubiquitous Zen Flute Riff when they show the “happy, sunny” Japan, to the pedantic valley-girl-esque Vanessa Von Auer, Paychologist, it goes into a sensationalistic Orientalist mode. The overall portrayal, passive-aggressive in tone, is that rope bondage is done by the mentally ill as an inadequate substitute for “real” therapy.

Still, it’s worth watching, if only for the chance to see Ageha perform, and to see Hajime Kinoko‘s teaching studio. What do you think of the tone? I know that I tend to be a bit over-sensitive to what I perceive as Asian stereotyping; maybe I’m over-reacting?

Agley Play

Posted in community, play, Rope Bondage on January 25, 2011 by admin

“Well, I’m guessing that didn’t go exactly as you expected,” she murmured into my chest. Her voice was fuzzy with happy afterglow of rope and orgasm-induced endorphins.

My natural inclination towards sarcasm shaped my response. “Oh, no. I completely expected that reaction to the hood. It was all according to my Domly plan.” I was talking about the bit of edge play I’d pushed with my holiday gift to her. It was a Darlex bondage hood, with an opening for a mouth and a ponytail and nothing else. For a girl who had claustrophobic issues as well as no interest in humiliation or objectification, it was truly nudging at her boundaries. It had taken a few tries to get it on right, and then she had lasted quite a while, pleasuring me, before the last ropes on her ankles had pushed her over the edge into needing to have it off.

“Oh, I’m not talking about the hood,” she said. “That was…hard, but I definitely want to try it again.” Thank you, WinterFetish, I thought, glad that my Christmas present wasn’t going to be relegated to the bottom of the toy drawer. I also gave her a grateful squeeze, because that’s the definition of courage; being scared, and facing it anyway because it might be worth it.

And besides, removing the hood had only been a minor pause in the larger scene. We’d gone on to a nice ebi endurance tie culminating with some mutually satisfactory oral pleasure and even scored a simultaneous orgasm. “We rock!” I said to her, and gave her a high five.

She waved at the bedside table. “No, I was talking about the butt plug, the video camera, the condoms, the Tenga…” Not to mention the MauiKink cane and punishment rod in my suitcase, I thought.

But I thought about what she said, and gave it a serious answer. “Well…I’m not the kind of top who plans every bit of a scene step-by-step. I have some goals, of course, but I’m more about…creating an environment.” I waved at the toys. “I create a space where things can happen, and if some of them require props, it’s good to have them handy. If they’re not used, but we had a good time,” I hugged her again, “then it’s all good.”

And that’s important, I think, for good play, or even just for good life. Because sometimes you plan things very completely, such as

[THREE PARAGRAPHS OF SARCASTIC SNARK BORDERING ON PASSIVE-AGGRESSIVE REDACTED]

…you can only hold her shaking hand as she weeps with frustrated energies and humiliated rage at being so dismissed by this person she trusted. You put away your own sense of failure, at having told her to put her trust in the wrong person, and you do your best to make it a good evening anyway – with Jack & Ginger and an Acid cigar and snuggles on the couch of the cigar bar.

Eventually you and she can focus on what you did gain from the evening: the knowledge that even when things gang aft a-fuckin’-gley, you’ve already got a relationship that can absorb it and bounce back, still full of the richness of joy and play and the good stuff.

Plans are all well and good. But a loving, open heart trumps them, agley or not, and thank the gods for that.

Discovering New Limits

Posted in NeatEvent, play, Rope Bondage, sex education on January 19, 2011 by admin

I’m going to be processing the experience of Midori’s Rope Dojo for quite some time – pages of notes in my moleskine, variations on ties I’ve been using for years as well as new ties I’ve never thought of uses for (dildo harness, here we cum…). There was also the transcendent beauty and power of the scene she did with Delano…

Sorry. Lost in the memory there for a bit. Suffice to say, it was hot. Powerful. Nifty. And any scene that starts with a Traditional Japanese Cthulthu harness has gotta be good.*

One of the most valuable parts of the dojo, and part of what makes it more than just a “how to tie that knot” experience, is the section on negotiating rope scenes. It’s thorough and fun and much hotter, in my opinion, than an 18-page questionnaire or even a flippant “So, you wanna try some stuff?” As part of the process, one person will “propose” a scene – a bit like the “Very Short Story” technique – and then the other person will temporize it, explaining what they’d like more of, less of, different.

In the second round of practicing, when we had a one-minute limit to both propose and edit, my conversation with my partner (a cis-male het-presenting rope top) went something like this:

Me: You know, I’ve been frustrated at the fact that I can’t seem to find a way to enjoy the ropes on my body. Since you’re into tying the fancy Japanese style stuff, perhaps we could do a scene where you gradually put me in more and more complex, layered bondage. I enjoy a struggle, so being able to push against it might be fun, kind of like a military interrogation/torture kind of thing. I think I’d also like to involve my partner DoNotGoGently, since I also tend to enjoy whatever scene I’m in more if there is a sexual component. Then we could -”

Delano: TIME! Ok, Person B, you have one minute to edit that scene. Go!

Person B: Well, I can get with most of what you said. I like the layers of bondage, and DoNotGoGently would be great to have there. There’s just one thing that doesn’t really work for me…that’s the whole military bondage thing. I’m not really interested in interrogation or torture. I’m more interested in making the successive layers of bondage more interesting through the use of different materials…

Me: Oh, like vet wrap, duct tape…

Person B: No, I was thinking more along the lines of strips of pig flesh.

Me: …

Delano: TIME!

Even now, I’m still trying to parse that. Bacon? Pigskin leather? Much as I’d like to say yes, that’s what he meant, it’s not what he said. He said “strips of pig flesh.”

I confess. He’s a nice guy. A pleasant person. I spent time in wonderful conversations with him after.

But I’m damn glad that was just a practice negotiation. Because frankly, he scares me.

Pig flesh. Hard limit. Cue rainbow, stars, harp sound effect: The More You Know.

*maybe you had to be there.

It’s Fucking Art, Bitches.

Posted in art, cool people, Rope Bondage on January 18, 2011 by admin

Gray & MinxGrrl by Nancy Peach (in progress)

With all the disagreements about whether or not rope is an art or not (which I’m not interested, really, in talking about any more) I thought I’d just share with you some of the progress that fine artist Nancy Peach has been making on the painting she’s doing of me and MinxGrrl. You can see more of it as it comes along at her site.

Enjoy! I’m in San Fran Aftercare Central, aka the Bondage Capital of the World. Dexter, lasagna, and a naked Naiia…

Notes on Connection

Posted in cool people, NeatEvent, play, Rope Bondage, sex education on January 17, 2011 by admin

As part of the Wicked Grounds Holiday Dinner, I offered a two-hour bondage lesson to whoever the lucky raffle ticket winner was. It was RopeMonk, who also runs the San Francisco RopeBite, and he asked me for a short class on building connection in a scene. With the help of the lovely ClurraBella we spent two hours talking about some really neat stuff and doing rope. He’s agreed to let me share the notes from the class here; consider them food for thought, and if you want to know more, well, I’ve got quite reasonable rates…

Notes on Building & Keeping Connection & Flow in a Rope Scene

  • Don’t put distance between you and your rope bottom. Be as close as you can while still respecting boundaries
  • Ask before touching, but if you want to touch, ask.
  • Maintain contact through touch or rope tension throughout the scene.
  • Give some indication of what you’re going to do before you do it. “I’m going to put a chest harness on you” is ok, but “The rope is going on these beautiful breasts” might be better. On the other hand, “Gonna tie you down, bitch, before I smack and fuck that sweet ass” might be preferred by some. Know your bottom.
  • If you want nudity, ask for it. The worst that can happen is they say “no”.
  • Confidence as you move the bottom’s body around is always good.
  • Acknowledge mistakes if they’re obvious, like hitting her in the face with the rope, but don’t draw attention to it. He can’t see that you didn’t tie the Somerville bowline quite right behind his back; why tell him? Never say “oops” unless it’s immediately followed by “Eh, who gives a fuck?
  • If you have to backtrack, don’t say “I did that wrong.” Say something like “Ooh…you’ve got a really great body. I’ve got a better idea for this…” Then start over.
  • Precision & hesitation is for photographic shoots. If you want energy, give up the pursuit of perfection. Don’t become the Graveyard of Passion.
  • When possible, pull the rope across the body, letting it caress the skin.
  • If you have loose bands of rope, find a way to make them tighter.
  • Communicate throughout the scene. It should be a conversation, either with words or through touch.
  • At the end of the scene, you should know where your head is at, and have some idea where your bottom’s head was at. Discuss it, and see how close you both were. The more you know about each other, the better the next scene will be.

    Rigging: Graydancer Model: FaerieRing Photographer: Starven

Beyond Words

Posted in art, Rope Bondage on January 16, 2011 by admin

A short film that conveys pretty well why some of us bother with all this rope & connection shit.

Perfection is the Death of Passion

Posted in art, community, cool people, Rope Bondage on January 14, 2011 by admin

Mara Geneva Rehearsing for WICKED LINES

If I didn’t worship Gar Reynolds as the Last, Best Hope Against Powerpoint, I might resent him. A long while back I did a keynote at the Austin Ropecraft Symposium based around the concept of “Rope Naked.” I’m still pretty proud of that speech, and its delivery. Gar has actually written an entire book called “The Naked Presenter” that follows along that same idea. He’s written extensively about it on his site, but nothing has resonated quite as much as the last post, We don’t seek your perfection, only your authenticity.

I won’t name names, but I’ve talked with many riggers who have expressed what Dr. Brene Brown would call “shame.” She defines that as the fear of disconnection. Faced with a pile of rope, the rigger feels “If I don’t do this right, my bottom won’t want to play with me. My friends will laugh at me. No one will ever let me present. Nobody will ever want to play with me again.”

Will any of this actually happen? Probably not. But it feels like it might. We want the sure thing, the security. Just tie another takate-kote, throw in some weaves to make it artsy, and let the hot boobies do the work. It’s safe. It’s certain. It’s easy to learn.

But here’s the problem, said so well in one single sentence by Mr. Reynolds.

Passion dies in an environment of fear
and a yearning
for guarantees and certainty.

If you’re not playing on the brink, and risking doing it wrong, why are you bothering? And if you’re wondering why the passion seems to have gone out of your ropework…maybe you need to figure out if your aversion to shame is keeping you from that one thing that every rigger and bottom yearns for: connnection.

Read the post. Watch the talk. And think about it the next time you pick up rope. It might make a difference.

Creak

Posted in cool people, music, photography, play, Rope Bondage on December 30, 2010 by admin

Last night, a special kind of joy: listening to the creak of the jute as her legs pulled against the bonds, as her hands flexed and twisted, not exactly trying to get away but just in reaction to the sensations I was giving her.

The sound of binding and passion and sex.

Let me share with you the amazing mashup that accompanied much of our activity last night. It’s long, free, and awesome: Girl Talk – All Day.

Afterwards, she snuggled in and smiled at me. “You look so cute,” she said. “You get that intense look on your face.”

“Cute?” I puzzled. Fuzzy ducks are cute. “Cute and intense aren’t words I normally associate with each other.”

“It’s like Miranda says,” she explained. “Fuck it like you’re trying to kill it.

If that’s the cute intensity I have…I can live with that.

The Things They Don’t Teach You

Posted in cool people, photography, play, proporn, Rope Bondage on December 15, 2010 by admin

Harder Than It Looks...wait, no, that's NOT what I meant! Perv.

Recently my girlfriend DoNotGoGently and I teamed up with super-hot-fetish-model Ten to do a day of Damsel-in-Distress shooting with folks over at Beauties in Bondage.

It was a blast. Fun people to work with, and basically it was like when you played cops-and-robbers as a kid. I got to be the bad guy in several different scenarios, and you can watch the teaser for one of them or enjoy the screen captures.

But since this was video, we went for some level of verisimilitude, and that presented some interesting challenges on my end. For example, for the “Witness Protection” scenario, it called for me to “chloroform” the first witness and then disarm and choke out the Federal Marshal.

Now, the rough body play stuff? No problem. I had lots of fun with that, as did DNGG. But think about it: then I’m supposed to tie pretty and effective bondage on them while they are unconscious.

Dead weight. Limp limbs, a rubber spine, and no other help. Why don’t we offer “Tying the Unconscious” classes at Shibaricon, anyway?

And let’s add the fact that I was being all Actor-like, and decided that I really should be wearing my Sexy Leather Gloves so as not to leave fingerprints. Have you tried tying someone while you’re wearing leather gloves? Let me put it to you another way: if you’re going to be tying someone in leather gloves under a time- or performance-pressure situation, practice first.

Oh, and skin! Hate to tell you this, bottoms, but the real reason the answer to “Should I take this off?” is always “YES!” has nothing to do with your beautiful bodies. Rather, it’s because rope + skin < friction > rope + fabric + long beautiful hair.

These are skillsets that are severely lacking in the training of riggers all over the world. Maybe Chanta’s Bondage for Sex, Vol. 2 will have it. Or Douglas Kent’s Complete Shibari Vol. 4: Sweaters.

But we need more training than that. That was the easy shoot. The next shoot called for them to both be conscious and struggling while I tied them up.

Yeah. That’s right. Those of you who have tried tying pretty bondage on someone who is struggling will be chuckling; those of you who have seen DNGG actually fight are rolling on the floor guffawing. Various scenarios and ideas were put out, some of which had about as much relevance to reality as a Tarantino action movie. Sure, we had a prop gun – so I’m supposed to hold the gun on them and tie them at the same time? Or maybe hold to to my own head and yell “Hold it! Next slut makes a move, the Rigger gets it!” (1)

Yeah. You try it sometime. We came up with some creative solutions to the problem, and it was actually quite fun to do the role-playing. But I think, for those who are wanting to get into the insanely lucrative world of Damsel-in-Distress porn, Murphy Blue and I should teach a special series of classes at Shibaricon. Call it the “Snidely Whiplash” track:

  • TUF 101: Tying the Unconscious Form
  • TUF 102: Tying the Unconscious Form While Wearing Gloves
  • TUF 103: Tying the Sweater-Wearing Long-Haired Unconscious Form While Wearing Gloves
  • TUF 104: Lugging the Tied-Up Unconscious Form Up and Down Stairs
  • TUF 201: Tying the Other Sweater-Wearing Long-Haired Unconscious Form While Wearing Gloves Under Hot Lights and Still Trying to Look Sexy/Menacing/Not About to Go Into Cardiac Arrest.
  • ARM 101:  Agressive Ropesluts (Multiple)
  • ARGH 102: Agressive Ropeslut Gun Handling, aka “Yeah, right.”
  • ARGH 201: Tying Agressive Ropesluts One-Handed While Holding a Gun Realistically, aka “Good luck with that.”
  • Ex-Dream Roleplay 201: Finding Motivation for Rough Play with Aggressive Ropesluts (multiple)

Whaddaya think? I’m sure that it would be a fine addition to any rope curriculum…

1. I blame this joke on the fact that I’m writing from Mollena‘s room in San Francisco