Towards an Inclusive View of Rope Bondage
Reposted from my Fetlife Writing of the same name.
Recently I read an excellent article about the author Ursula K. Leguin. She spoke of “five principal elements,” which must “work in one insoluble unitary movement” in order to produce great writing.
Quote:
- The patterns of the language — the sounds of words.
- The patterns of syntax and grammar; the way the words and sentences connect themselves together; the ways their connections interconnect to form the larger units (paragraphs, sections, chapters); hence the movement of the work, its tempo, pace, gait, and shape in time.
- The patterns of the images: what the words make us or let us see with the mind’s eye or sense imaginatively.
- The patterns of the ideas: what the words and the narration of events make us understand, or use our understanding upon.
- The patterns of the feelings: what the words and the narration, by using all the above means, make us experience emotionally or spiritually, in areas of our being not directly accessible to or expressible in words.
Since my thoughts tend towards the rope arts, I couldn’t help but see some parallels in what people talk about as being “kokoro”, “kinbaku”, or “really fucking awesome rope scene”, depending on the language you prefer. To me, the parallels went something like this: […]